It is 2004 according to the Ethiopian
calendar. Recently deceased Prime Minister Meles Zenawi's image
appears on every television screen, on the back of rickshaws, and
memorial cards in the streets. It is even displayed on the walls of
the immigration desks in Bole International airport. There are
unusually large crowds in the streets, gathering to watch funeral
coverage of this man who oppressed the majority of the country's
tribes while favoring the Tigray of the north.
It is past 6:00 when they round up the bulls. The women are still dancing and singing, horns blowing and bells jingling. There are hundreds of us standing in an expectant circle, and the bull jumper stands disrobed in the middle of it all, surrounded by about fifteen bulls. The other men gradually line the bulls up in one straight row, remaining one at the front and one behind to ensure that they do not run.
Meanwhile, in a village tucked away in
the southern Omo Valley, something very different is happening. I am
in the good company of Toni, my new traveling companion, and Kalla, a
twenty-six year old man from the Hamer tribe who speaks impressively
proficient English, and is almost done with his high school
education. He is wearing his hair in traditional Hamer corn rows, but
his clothing is western. I inquire about this, and he explains that
the government insists, “This high school is modern and students
are required to wear western clothing, remove their tribal jewelry
and cut their hair”. Girls are not allowed to wear their
traditional goat skins, nor should their breasts be exposed. Kalla
says he wonders what's next, and if the government will soon ask the
Hamer to cut their own throats.
We walk for seven or eight kilometers
down a dirt path created by the dried-out river, surrounded by trees.
Occasionally we pass other Hamers, identifiable by their traditional
dress, body painting and ornamentation. We stop under the shade of a
tree to talk to three men who are preparing to head up to the
village. They are painting their legs and we sit down to join them.
Kalla paints his legs first, which only men do, and then paints our
faces and arms. “Okay”, he smiles, “Now we are ready. Can you
hear them singing?” We listen and nod as we begin to walk.
Whips, welts, blood and bells...
breasts, body paint... goat skins, gourds, guns and horns. We are
attending a Bull Jumping ceremony, and this is NOT intended for
tourists. If a Hamer male wishes to be eligible for marriage, he must
go through this passage first. He is to be the focus of the entire
village starting very early in the day, and the women will start by
gathering in a very large huddle and dancing. They wear bells tied to
their legs, and as they all jump and flip their head and clay-covered
hair from side to side, forward and back, the sound is deafening.
They carry sticks, blow horns and chant songs that help prepare the
jumper on his big day. These actions are repeated throughout the day
until right before sunset when the jumping occurs.
Around 2:00, Toni and I see the women
begin to rush away, all in the direction of a small group of men who
are coming toward us from a distance. The whippers have arrived.
These women bombard the men who arrive very nonchalantly, some of
them smiling, others looking very serious. As the men separate,
several women surround each of them, pulling on their arms, blocking
their path, trying to force their switch into the men's hands...and
it begins.
Each man singles out a woman who looks
him boldly in the face as he slowly raises his arm behind him and
lashes out hard and fast. The switch comes down so quickly on her
back that it's over in a blink, leaving a bloody, five to eight inch
mark across her back. These women do not yell. They do not cry out.
They hardly blink. Friends circulate, putting a special butter on the
gash, causing it to become infected and form scar tissue. As I watch
this, I now understand why Hamer women's backs are covered in huge,
inflamed welts.
We spend the next several hours finding
a balance between participation and observation. Some of the Hamer
women invite us to dance. I am more worried about saying “no”
than about how ridiculous I feel. Later, we sit on a goat hide mat
and share Parsi with a few others. Parsi is an alcoholic mix, passed
around in a gourd, made of sorgum, honey, water and I don't know what
else. It looks just like mud, and as I force my worried, western self
to take a sip, I say a little prayer that the water was first boiled.
I smile big at Toni and she returns the smile. We are silently
laughing together as we know we're sharing the same thought, and pass
the gourd on for others to drink.
It is past 6:00 when they round up the bulls. The women are still dancing and singing, horns blowing and bells jingling. There are hundreds of us standing in an expectant circle, and the bull jumper stands disrobed in the middle of it all, surrounded by about fifteen bulls. The other men gradually line the bulls up in one straight row, remaining one at the front and one behind to ensure that they do not run.
The moment is finally here.
There is no hush as one might expect. The jumper takes a very short
running start, and without using his hands, manages to climb right up
the side of the first bull and run straight across all of their backs
without missing a beat.
He must do this four times, and will take a beating if he shames his family by falling. He is on his second run when I realize I am holding my breath. I am so nervous for this perfect stranger that I almost cannot hold my camera steady. As he finishes the fourth run and his feet touch the ground, Toni and I find ourselves jumping up and down cheering as the men around him cover him up and congratulate him.
He must do this four times, and will take a beating if he shames his family by falling. He is on his second run when I realize I am holding my breath. I am so nervous for this perfect stranger that I almost cannot hold my camera steady. As he finishes the fourth run and his feet touch the ground, Toni and I find ourselves jumping up and down cheering as the men around him cover him up and congratulate him.
The sun is nearly down, and Kalla grabs
Toni's hand and mine and leads us quickly through the crowd. Braids
covered in clay, goat skin skirts, rifles, babies on backs – it all
whooshes by as we head down the hill, knowing we have an eight
kilometer trek ahead of us to do in the dark. Toni and I look at each
other, eyes wide, still in disbelief at the day we have experienced.
As we walk, I think to myself how fortunate we were to be a part of
this Hamer ceremony. Ethiopia is changing rapidly. Just six years ago
I visited the southern Omo Valley, and it was a very different place.
Tourism is growing, the government is making demands of the tribes,
and it is quite possible that in a few short years, the Hamer may
cease to practice this custom the way they do today.
Suddenly, I find myself thinking to the future. I imagine myself a grandparent, telling my children's children about this age-old ritual that I witnessed with my own eyes, and I picture them shaking their heads in disbelief, just like Toni and I did. I sure hope I live to tell these stories for generations to come.
I hope that one day you write a book! Amazing Loc! You certainly are doing! Enjoy!
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